Ludwig Bach even in technical qualities, it has a breadth of conception which betrays the study of the classical Italian models. 3 WIMA.af97-Kuhn-Tristis-A.pdf. The word is repeated and intensified (from measure 99), with a climax of the soprano ascending step by step to G, their highest note. Christoph and Joh. [2], Tristis est anima mea was frequently recorded, including by the Dresdner Kreuzchor conducted by Rudolf Mauersberger in 1957, and by the Windsbacher Knabenchor conducted by Hans Thamm in 1967. remove-circle Share or Embed This Item. IOL 264 Key F major Movements/Sections Mov'ts/Sec's: 1 Librettist Matthew 26:38 Language Latin Composer Time Period Comp. It then accelerates into frenzied motion, suggesting the fury of the mob and the flight of Jesus’ disciples. [15] The arrangement with the German text may have been a stand-alone (funeral?) 14:34). Tristis est anima mea usque . Tristis est anima mea usque ad mortem: sustinete hic et vigilate mecum. Tristis est anima mea (Sad is my soul) is the Latin phrase with which Matthew 26:38 starts. TRISTIS EST ANIMA MEA - Giovanni Battista Martini - YouTube Vinea mea electa III. Tristis est anima mea (Johann Kuhnau) ma His five-part motett for Holy Thursday, Tristis est anima mea usque ad mortemmay be reckoned among the more prominent works of the kind; if it is not of equal merit with the motetts of Joh. Tristis est anima mea Alt ernative. Folio: 085v. Now ye shall see a multitude, that will surround me. 1705. 13 2nd published: 1863 in Musica Divina Vol. [4], The composer follows Italian models. 39 of the pasticcio, an orchestrated version of the Tristis est anima mea motet on a parody text, as an arrangement by Bach. EMBED (for wordpress.com hosted blogs and archive.org item tags) Want more? The first (you will see a crowd) one begins in homophonic declamation, the second (which will surround me, measure 60) building with entrances in the sequence tenor, alto, soprano II, bass, soprano I, the third (you will take flight, measure 70) in denser texture with two voices entering together and a repeated motif of a faster descending line. Translation by Kurt Pages Traurig ist meine Seele bis an den Tod: harrt hier aus und wacht mit mir. Vos fugam capietis, et ego vadam immolari pro vobis. 2 WIMA.5fe8-Kuhn-Tristis.pdf. Duration: 3 minutes Composer Time Period Comp. In Tristis est anima mea, Lassus was responding to the intense drama inherent in his Biblical text. [13] Ecce quomodo moritur justus, a Latin version of that text, is another responsory for Holy Week. ICG 59 Movements/Sections Mov'ts/Sec's: 1 Year/Date of Composition Y/D of Comp. Number of voices: 5vv Voicings: SSATB or SAATB Genre: Sacred, Motet. [Kuhnau] was better versed in the technicalities of vocal writing than most other German composers of the time. First published: ca. In monte Oliveti; Tristis est anima mea Alex Ross writes about Gesualdo's setting of this responsory: "... begins with desolate, drooping figures that conjure Jesus’ prayer in Gethsemane (“My soul is exceeding sorrowful, even unto death”). Language: Latin Instruments: A cappella . A collection of Kuhnau's sacred music was performed by The King’s Consort, conducted by Robert King, in 1998. [14] The German text of the chorus, Der Gerechte kömmt um (The righteous perishes), is translated from Isaiah 57:1–2. Tenebræ factæ sunt IV. First published: 1585 in Madrigali libro primo, no. On stylistic grounds scholars such as Diethard Hellmann see chorus No. The harmonies are intensified, resolved in measure 30. Tristis est anima mea, which sets Christ’s meditation in the Garden of Gethsemane from St Matthew’s Gospel, is one of Lassus’s most dramatic narrative motets, changing mood every few bars and illustrating the text closely. Just Tristis est anima mea Alt ernative. Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday. Philipp Spitta's 19th century biography of the latter contains the following:[1].mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}. 2020 • 1 song. 1939 Language Latin Average Duration Avg. External websites: Original text and translations. 3.16. "Tristis est anima mea"Motet by Orlando de Lassus (1532-1594)Posted for educational purposes only. Tristis est anima mea Item Preview 1 WIMA.1ce5-Kuhn-Tristis-T.pdf. First published: Description: This is No 2 of 9 Responsoria in Coena Domini (Johann Michael Haydn), MH 276 External websites: Original text and translations. Tristis est anima mea (Sad is my soul) is a sacred motet for five voices attributed to Johann Kuhnau, Thomaskantor in Leipzig. Title: Tristis est anima mea Composer: Johann Michael Haydn. The text is the second responsory at Tenebrae for Maundy Thursday, one of the Latin texts kept in the liturgy after the town converted to Lutheranism. 5 in Cena Dom. [8] "ad mortem" is repeated, mirroring the beginning: the voices enter again one after the other but beginning with the highest voice. Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday. flag. The text, liturgically appropriate to be sung on Maundy Thursday, reports some of Jesus' words to his disciples in the Garden of Gethsemene, prior to his Passion (Matt. After a leap down of a minor sixth, even steps lead upwards. First published: 1907 in Sammlung ausgezeichneter Kompositionen für die Kirche, no. II. Period: Renaissance: Piece Style Renaissance: Instrumentation SAATB The predictions follow each other without a rest. 1938–39 First Pub lication. Throughout the piece, the composer keeps the same tempo and mood, with subtle attention to different parts and even individual words of the text. 5 in Cena Dom. [11] Its basis was the then popular passion cantata Ein Lämmlein geht und trägt die Schuld (A lambkin goes and bears our guilt) by Carl Heinrich Graun (GraunWV B:VII:4),[12] which was expanded with compositions by Georg Philipp Telemann and others. nunc videbitis turbam, quæ circumdabit me. In bars 36–38 the alto, as the only syncopated voice, sings B-A-C-H in a harmonically complicated cadence ending the first main phrase, followed by the text und niemand achtet darauf ("and nobody notices it"). Tristis est anima mea usque ad mortem : Title: Tristis est anima mea Composer: Johann Kuhnau. Ye shall run away, and I will go to be sacrificed for you. [4] Both works open in a similar way, with "closely overlapping vocal entries, and both shift to homophonic declamation at the words "Iam videbitis turbam" (You will see the crowd). Vos fugam capietis, et ego vadam immolari pro vobis. Vos fugam capietis, et ego vadam immolari pro vobis. Its first two lines are quoted from Matthew 26:38. EMBED (for wordpress.com hosted blogs and archive.org item tags) Want more? Cantus ID: 007780. [4] The orchestral accompaniment consists of two characteristic woodwind parts, strings and continuo.[13][16]. If both attributions are correct (the original to Kuhnau, the arrangement to Bach) this seems the only instance of Bach adopting music of his predecessor. THe Josef-Matthias-Hauer Vocalensemble, conductor Emanual Schmelzer-Ziringer. Number of voices: 4vv Voicings: SATB, STTB or ATTB Genre: Sacred, Tenebrae responsory. … Tristis est anima mea Alt ernative. Harsh judgements have been passed on the quality of Kuhnau's music: Spitta, after describing various aspects of where he sees Kuhnau's choral music wanting, concludes: "Kuhnau did not understand the world, nor did the world understand him..."[17] The musical quality of Tristis est anima mea appears to rise above this,[1] which is why the attribution to Kuhnau is considered doubtful, and why it seems reasonable to assume that Bach, judging on quality, reused it. [19] The Kammerchor Joaquin des Préz, conducted by Ludwig Böhme, sang it in 2012 as part of a collection of music by Bach and his predecessors as Thomaskantor. Ecce appropinquat hora, et Filius hominis tradetur in manus peccatorum. [13] Nos. Translations are offered by the Episcopal Church[4] and the Roman Catholic Church:[3]. 26:38 and Mk. My soul is sorrowful even unto death ; It is Tristis est anima mea (responsory), the second responsory of the Tenebrae for Maundy Thursday which was often set to music.It may also refer to: Movement XI of Christus, an oratorium by Franz Liszt; Heu me, tristis est anima mea, attributed to Philippe de Vitry Kuhnau's ideas were however more easily adopted by his successor: there is the imitation of Kuhnau's style in the final chorus of Bach's very first cantata for Leipzig, there are the links to Kuhnau in Bach's Magnificat (SSATB chorus, Christmas interpolations) and there are the similarities in both their Clavier-Übung publications. EMBED. [1] In the King James Version, the beginning of the Latin text, told in the first person, is translated as "My soul is exceeding sorrowful". In the fourth prediction "Et ego vadam" (And I will go, measure 85), Jesus speaks of himself, and the composer expresses it by the voices entering one after another, but with exactly the same motif, in the first four voices even from the same pitch (tenor, bass, soprano II, alto. No. Office/Mass: M. Genre: R. Position: 1.2. [4] The first words of the text, told in the first person, are translated as "My soul is exceeding sorrowful" in the King James Version (KJV). Tristis est anima mea Item Preview remove-circle Share or Embed This Item. Ecce appropinquat hora, et Filius hominis tradetur in manus peccatorum. Johann Kuhnau was Johann Sebastian Bach's predecessor as Thomaskantor in Leipzig. Period: Baroque: … Source: Karlsruhe, Badische Landesbibliothek - Musikabteilung, Aug. LX. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy. share. Number of voices: 4vv Voicing: SATB Genre: Sacred, Motet. John Butt describes his approach as "conservative in texture but extremely expressive". Text; Settings; References; External links; Text In the last phrase, the ascending steps appear in the bass. Nunc[Iam] videbitis turbam quæ circumdabit me. [5] While the first two lines are quoted from the Bible, the next two are anonymous poetry,[4] Jesus predicting that the disciples will see a crowd ("Iam videbitis turbam"), they will take flight ("Vos fugam capietis"), and he will go to be sacrificed for them ("et ego vadam immolari pro vobis"). It has been described as a "serenely reflective" work. Sequence: 6. It is used very often by almost twenty different composers with a varied range of time periods from Lassus's time to as new as the 1990's. Contents. The theme of that text is Jesus in the garden Gethsemane, addressing his disciples. « Tristis est anima mea » (Répons des Ténèbres) Pour voix de Soprano et Electronique (sons fixés) Un répons (le s ne se prononce pas) est à l'origine un chant alterné entre un chantre soliste et un chœur, utilisé dans un office liturgique, et participant en particulier du chant grégorien. 5 WIMA.c2fc-Kuhn-Tristis-B.pdf. The NDSU Concert Choir has a distinguished tradition of performing eminent choral literature at the highest level of artistry. Title Tristis est anima mea usque ad mortem Composer Pisano, Bernardo: I-Catalogue Number I-Cat. About the headline (FAQ) Authorship. [citation needed], Tristis est anima mea was published by the Carus-Verlag in a version with basso continuo. Number of voices: 3vv Voicing: TTB, also SATB arrangement Genre: Sacred, Motet, Tenebrae responsory for Maundy Thursday. No_Favorite. 288 It exists in the separate parts in the library of the Leipzig Singakademie and is numbered 362. "[20], second responsory at Tenebrae for Maundy Thursday, imitation of Kuhnau's style in the final chorus of Bach's very first cantata for Leipzig, Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750, Der Gerechte kömmt um BWV deest; BC C 8 (= BC D 10/3), International Music Score Library Project, "Thomaskantoren vor Johann Sebastian Bach", "Bach's Contemporaries / Johann Kuhnau (1660-1722) / Sacred Music", https://en.wikipedia.org/w/index.php?title=Tristis_est_anima_mea_(attributed_to_Kuhnau)&oldid=1008312641, Compositions with a spurious or doubtful attribution, Articles with dead external links from July 2018, Articles with permanently dead external links, Articles with International Music Score Library Project links, Articles with unsourced statements from November 2019, Creative Commons Attribution-ShareAlike License, Woodwind I/II (traverso/oboe), Violin I/II, Viola, Continuo, This page was last edited on 22 February 2021, at 17:48. Around 1750 the pasticcio passion oratorio Wer ist der, so von Edom kömmt was assembled in the circle around Johann Sebastian Bach and his son-in-law Johann Christoph Altnickol. His five-part motett for Holy Thursday, Tristis est anima mea usque ad mortem,288 may be reckoned among the more prominent works of the kind; if it is not of equal merit with the motetts of Joh. [4], The motet is set to the Latin text of the second Tenebrae responsory for Maundy Thursday. 4 WIMA.b5f0-Kuhn-Tristis-S2.pdf. The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion. IJK 14 Key F minor Movements/Sections Mov'ts/Sec's: 1 Language Latin Average Duration Avg. [6], The composer set the motet for five parts, two sopranos, alto, tenor and bass (SSATB). [10] Butt concludes: This piece, apparently performed by J. S. Bach, is not securely attributable to Kuhnau. Behold the hour is at hand, and the Son of Man shall be betrayed into the hands of sinners. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Period: Renaissance: Piece Style Renaissance: Instrumentation 6 voices (SSATTB) He followed an example by Orlande de Lassus of the same text also for five parts, indicated depending on edition as SAATB[7] or SATTB. Ecce appropinquat hora, et Filius hominis tradetur in manus peccatorum. Stay you here, and watch with me. However, it shows the works of a skillful and highly imaginative composer with considerable dramatic flair.[8]. IV (Carl Proske), p. 107. [2][3] By then it proved impossible to ascertain authorship on source-critical grounds (among other reasons while the Leipzig parts mentioned by Spitta could no longer be traced). [18] The motet appears in a critical edition named The Kuhnau-Project, edited by David Erler in the Pfefferkorn Musikverlag. [13] The music is transposed half a tone down to E minor. The text is the second responsory at Tenebrae for Maundy Thursday, one of the Latin texts kept in the liturgy after the town converted to Lutheranism. Kuhnau's successor at the Thomaskirche, Johann Sebastian Bach, adapted the music to a German text, Der Gerechte kömmt um, and added an instrumental accompaniment. Ye shall run away, and I will go to be sacrificed for you. Tristis est anima mea Year/Date of Composition Y/D of Comp. Tristis est anima mea usque ad mortem: sustinete hic, et vigilate mecum: nunc videbitis turbam, quæ circumdabit me. Motetto a 5 voci Tristis est anima mea: English Title: My soul is sorrowful even to death: German Title: Der Gerechte kömmt um: English Title: See, the righteous must die: French Title: Le juste périt : El justo perece: Event: Memorial Motet: Composed: Composed by Johann Kuhnau Based on his Latin motet Tristis est anima mea Included, alongside movements by Georg Philipp Telemann and J.S. Description: External websites: Original text and translations. German translation. Period: Renaissance: Piece Style Renaissance: Instrumentation 3 … 19 and 20 of the pasticcio appeared to be composed by Johann Sebastian Bach (BWV 127 No. Yet whoever wrote it, this Motet, so sure, direct and moving, is one of the most ear-catching in this selection. Mode: 8. Duration: 13 minutes Composer Time Period Comp. motet performed in Leipzig in Bach's time. The theme of the text of the second responsory for Maundy Thursday is Jesus in the garden Gethsemane, addressing his disciples. The same passage in Tristis est anima mea (ad mortem, bars 28–30) is much simpler harmonically, both together offering a further indication of an arrangement of the piece by Bach. M. Charpentier sets lines 1-4 in (at least) one setting - see below for more information . Watch the video for Tristis Est Anima Mea from Orlande de Lassus's De Lassus: Requiem à 5 & Motets for free, and see the artwork, lyrics and similar artists. Period: Early 20th century: Piece Style Early 20th century: Instrumentation Soprano solo, SSAATTBB choir a cappella Tristis est anima mea (responsory) Last updated January 09, 2020 Agony in the Garden by Duccio di Buoninsegna (early 14th century). Language: Latin Instruments: A cappella . Vos fugam capietis, et ego vadam immolari pro vobis. Language: Latin Instruments: A cappella . Title Composer Kuhnau, Johann: I-Catalogue Number I-Cat. Saturday Evening, March 12, 2011 in the Eisenstadt Dom. Tristis est anima mea usque . My soul is sorrowful even unto death. Language: Latin Instruments: A cappella . stay you here, and watch with me. Here is a list of the different composers that used this text and the voicings of each piece: Agostino Agazzari SATB.SATB; Pedro de Cristo SATB Bach was known for "signing" many of his works with the notes B-A-C-H in key places ("B" is used in German for B flat, while "H" is used for B natural). Cantus ID: 007780. More recently the attribution to Kuhnau has been doubted. Mode: 8. Motets and other musical settings based on the responsory: Behold the hour is at hand, and the Son of Man shall be betrayed into the hands of sinners. Advanced embedding details, examples, and help! Feast: Fer. Free scores and text (Latin, translations) of "Tristis est anima mea", https://en.wikipedia.org/w/index.php?title=Tristis_est_anima_mea_(responsory)&oldid=981668566, Articles containing explicitly cited English-language text, Creative Commons Attribution-ShareAlike License, Méditation №3 in "Méditations pour le Carême, H.380-389" by, The opening movement of Part III (eleventh movement overall) of, This page was last edited on 3 October 2020, at 18:47. Now ye shall see a multitude, that will surround me. Title Composer Gesualdo, Carlo: I-Catalogue Number I-Cat. None [force assignment] Language Latin Composer Time Period Comp. Tristis est anima mea Alt ernative. Feast: Fer. Sequence: 1. 6 WIMA.d3db-Kuhn-Tristis-S1.pdf. Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday.The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion.. [8], The first eight measures are devoted exclusively to the word "tristis" (sad, sorrowful),[9] with the voices entering one after the other, each beginning with a long note, from the lowest to the highest which sings only a short sighing motif. Title: Tristis est anima mea Composer: Giovanni Croce. No. Only then comes the complete first line, expressed in polyphony until measure 20, ending with "ad mortem" (unto death), which the bass sings in a chromatic downward line of long notes. The words "pro vobis" (for you) follow within the polyphony, first by the alto, followed immediately by soprano II, soprano I and bass together, tenor. 1 and 1088 respectively). After a short rest, the second line of the text is presented in similar building, this time in the sequence from inside out: alto, soprano II and tenor together, soprano I and bass almost together, all arriving in measure 50 in homophony on the last word "mecum", which marks the end of the biblical text and is followed by a long rest with a fermata.[9]. Duration: 4 minutes Composer Time Period Comp. Tristis est Anima mea; Tu es Petrus; Tui Sunt Coeli; Turba; Unxit te Deus; Ut Inimicos Sactae Ecclesiae; Veni Creator; Veni Creator; Veni Creator; Veni Sancte Spiritus; Verbum Caro; Verbum Caro; Verbum Supernum; Verbum Supernum; Veritas mea; Vespri Solenni; Vexilla Regis Prodeunt; Victimae Paschali Laudes; Other Vocal Works (23) Alla Madonna della Fiducia; Anno Santo; Canzone del … Tristis est anima mea usque ad mortem: sustinete hic, et vigilate mecum: nunc videbitis turbam, quæ circumdabit me: Vos fugam capietis, et ego vadam immolari pro vobis. 1611 Language Latin Average Duration Avg. Tristis Est Anima Mea, an album by Robert Benson on Spotify. Description: There is a reworking of this piece by J. S. Bach, Der Gerechte kömmt um. Tristis est anima mea is a very popular text. Versus: Ecce appropinquat hora, et Filius hominis tradetur in manus peccatorum. Title: Tristis est anima mea Composer: Giovanni Battista Martini. No. Tristis est anima mea (Sad is my soul) is a sacred motet for five voices attributed to Johann Kuhnau, Thomaskantor in Leipzig. × Tristis Est Anima Mea By Robert Benson. Play on Spotify. The first two lines of the responsory are Matthew 26:38. [2], While the first two lines are quoted from the bible, the last two lines of are free anonymous poetry, predicting they will see a crowd, they will flee, and Jesus will go to be sacrificed for them.[1]. EMBED. Folio: 081v. sustinete hic, et vigilate mecum : Tenebrae Responsories for Maundy Thursday. Office/Mass: M. Genre: R. Position: 1.2. Title Composer Lassus, Orlande de: I-Catalogue Number I-Cat. Source: Einsiedeln, Kloster Einsiedeln - Musikbibliothek, 611. The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion. [9] The voices arrive in homophony when they first pronounce "immolari" (sacrificed), followed by a second long rest with a fermata. No.
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